Although It Is a Ghost Story, a Christmas Carol Is an...

Although it is a ghost story, A Christmas Carol is an uplifting tale. To what extent do you agree? A Christmas carol by Charles Dickens is a significant novella written in the Victorian era. The protagonist Ebenezer Scrooge is used to demonstrate the upper class society and their attitude towards the poor. Throughout this redemption story, Dickens combines a descriptions of hardships faced by the poor with a heart-felt sentimental celebration of the Christmas season. The novella contains a dramatic and comic element as well as a deep felt moral theme. The text promotes the values of Ebenezer Scrooge, delving into his past, present and supposed future as well as contrasting between the enriching and depressing story; specifically†¦show more content†¦The author illustrates that Scrooge who is depicted as hard and sharp as a flint is a greedy miser whom is so old and coldhearted that nothing other than his profits will phase him. Dickens uses the scene when the ghost of Christmas past, a child-like old man uses flashbacks to show Scrooge of the memories he once made to show the nature of the much younger character. This is evident when Fan a little girl much younger than Scrooge had brought out the affection of her older brother as they planned to be together all the Christmas long, and have the merriest time in all the world. What is important about this example is not just that it shows the compassion Scrooge once felt but also that Scrooge is not truly crooked and horrible to the core establishing the uplifting and inspiring feeling to readers. The title of the novella, A Christmas Carol, is immediately recognized by the reader as hardly appropriate for the first stave. Stave one does not resemble the happy and cheerful world of Christmas trees and presents, but instead the reader is exposed to, what can only be described as, ghost story features. Ghost stories are meant to be scary, typically the ghosts that appear in this genre bring nothing but evil, but in thisShow MoreRelatedStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesDo? 516 Culture’s Functions 516 †¢ Culture Creates Climate 516 †¢ Culture as a Liability 517 Creating and Sustaining Culture 519 How a Culture Begins 519 †¢ Keeping a Culture Alive 519 †¢ Summary: How Cultures Form 523 How Employees Learn Culture 523 Stories 523 †¢ Rituals 524 †¢ Material Symbols 524 †¢ Language 524 Creating an Ethical Organizational Culture 525 Creating a Positive Organizational Culture 527 Spirituality and Organizational Culture 529 What Is Spirituality? 529 †¢ Why Spirituality Now? 530

Community Clinical Linkages ( Ccl ) - 1145 Words

Community clinical linkages (CCL) are critical approaches for improving population health in the United States. According to Starfield (1996) the â€Å"unstable coexistence between public health and medicine has not been beneficial to improving the health of the US population† (para.2). Despite the passage of the Affordable Care Act and its thrust to connect the clinical and community sectors, in 2016, these sectors continue to operate in silos. (CDC Practitioners Guide, 2016, Starfield, 1998, ACA, 2010). Were this not disturbing enough, clarity around a defined role for public health in CCL, remains undefined and unclear. Given this conundrum, one is unsure if this siloed approach continues across America, because it is comfortable, or because both the clinical and community sectors are unclear of how to move forward, in a coordinated, collaborative manner. Public health leaders have prioritized CCL as an effective approach to improving population health, but to get to the health outcomes that we seek, the community and clinical sectors must get there by design. The design needed to improve population health must include seven strategies addressed in the CDC Practitioners Guide. The first of these seven strategies is to learn about the sectors. So, before implementing a community-clinical linkage, the first step is to learn about and identify the unmet health care services and social needs of the community, including existing resources, organizations, health issues, policy,

Black Like Me Essay Research Paper Title free essay sample

Black Like Me Essay, Research Paper Title: Black Like Me Writer: John Howard Griffin Subject: Discrimination because of race can alter a individual? s whole mentality on life. Plot: John is a white author who spends six hebdomads as a? Negro? in the southern provinces. He subsequently studies of his tests and adversities, he tells how he dealt with racism as both a white adult male and a black adult male. Setting: This book takes topographic point in largely the southern provinces. John travels from New Orleans, Louisiana, through Mississippi, and so into Alabama as a? Negro. ? It started in October of 1959 and John returned place to Mansfield, Texas in December. For the following eight months John tells the documents, telecasting Stationss, and wirelesss of his experiences populating as a? Negro. ? During those eight months he besides has some menaces towards his household, so they travel around remaining at topographic points they think will be safer. We will write a custom essay sample on Black Like Me Essay Research Paper Title or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Word picture: Mr. Griffin, as they called him in the South, wanted to cognize what it felt like to be discriminated by the colour of your tegument. He had a loving married woman and 3 childs who he perfectly adored. As a really courageous and funny adult male he headed into a chilling universe as a? Negro? trusting for the best. Sterling Williams was? the shoe reflecting man. ? He was in his 50 and had a hitch, which with he had to utilize a crutch. He was really friendly and was a great aid to John. Excerpt: ? . . . I stood in the darkness before the mirror, my manus on the light switch. I forced myself to flick it on. In the inundation of visible radiation against white tile, the face and shoulders of a alien? a fierce, bald, really dark Negro-glared at me from the glass. He in no manner resembled me. The transmutation was entire and flooring. I had expected to see myself disguised, but this was something else. I was imprisoned in the flesh of an arrant alien, an unsympathetic on with whom I felt no affinity. All hints of John Griffin I had been were wiped from being. . . . ? Discussion: Finding out how it feels to be discriminated because of your race is a factor of both the secret plan and the word picture. The whole footing of the narrative was to calculate out what consequence favoritism has on a individual. John so went through medical intervention to alter himself into a? Negro. ? After making so he so walked the streets of Louisiana, spent darks in random hotels, and traveled at the dorsum of the coach. Merely so he could experience the full consequence of being a? Negro. ? Characterization was besides a large portion. With out John desiring to make this nil would hold worked. He besides didn? t alteration his personality or even his name. Mr. Griffin had to be strong indoors to cover with the torment, grief, and racism that he encountered. BY making this undertaking John non merely got a better image of how it was to be a? Negro? , but it besides changed his mentality on life forever.

Addicted to Love Essay Example For Students

Addicted to Love Essay Addicted to LoveIn Gottfried Von Strassburgs retelling of the ancient romance, Tristan, loves portrayal as a psychological disease is considerable. For Rivalin and Blancheflor, Tristan and Isolde, and also King Mark, the affliction causes them to act in a way that they would normally shun.Love changes the perspective on life of those who become intoxicated by its power; whether its shared as a couple or entirely unreciprocated, the lust to attain and secure its presence is consuming. Loves torment of Tristan and Isolde is a sweet torment that noble lovers endure. Grieves are shared, blessings are doubled, and embraces are electrifying on both the physical and emotional levels. One sided love is a hell like no other. Here, passions of the heart will override the sensibilities of the mind. This agony filled state is where Marks resides. This theme of unreturned love is as relevant today as it is in Gottfrieds time. Marks perception of the world, mentally and even at times physically, i s greatly skewed by loves drunken haze. Broken on the wheel of love, Marks heart is tortured until he confesses that Isolde is unfaithful; then just as cruel, he is fooled into believing she is his. This repeated scenario of torture is by far the highest tragedy in the romance. The climax of the abuse is when Mark questions his own senses after the discovery of the couple copulating in the garden. Blinded by the violent inebriation of amour, he disavows empirical proof of Isoldes betrayal. While through the omnipotent narration the reader sees that Isolde never loves Mark, the king is nevertheless betrayed. First of course, he betrays himself. All indication points to the affair. His heart is not a friend at this point for Mark. Isoldes betrayal goes beyond betrayal of the state; the real issue is that of betraying the heart. It is only through this betrayal that love is able to rape Marks psyche. Coupled with the fact that his dearest friend and confidant, Tristan, is embroiled in this nightmare; Mark is to be pitied greatly. Gottfried has Mark suffer the three greatest betrayals a person can encounter: his own, that of his lovers and that of his friends. The love Mark has for both Isolde and Tristan only work against him; for had he been free of loves grip, he would have trusted his senses and his intuitions. Although void of all supernatural occurrences, Rivalin and Blancheflor fall as deeply in love as will their unfortunate son.The ultimately fatal addiction to the euphoria is nearly instantaneous. For both Rivalin and Blancheflor the danger involved in consummating their love is twofold. Bearing a bastard child would result not only in the cataclysmic loss of societal position, but quite possibly her death. Rivalin, less prudent then his future son, risks the wrath of an angry Mark by out right eloping with his true love. Under the influence of loves tyrannical reign, both disregard their reservations and good sense; blinded by passion they escape to Parmenie to be legally wed. Like a wounded cowboy in a classic western film who downs whiskey to avoid the pain of a gunshot wound or snake bite, love appears to ease the pain of Rivalins wounds after a battle. Although on what is almost his death, the passion for Blancheflor numbs his hurt and allows Tristan to be conceived. As perfect l overs, Tristan and Isoldes addiction to Cupids opiate is surpassed by none. This is proven by the trials Brangane endures, the disregard for Isoldes personal acts of treason, and also the blows to Tristans honor and loyalty to his uncle. Once Isolde has the epiphany that the killer of her Uncle Morold is bathing in the next room, she is enraged. However, she is unable to extract revenge on Tristan. Gottfried suggests this is due to a feminine instinct; simply, that Isolde was too refined to commit such an uncouth act. This delicate characterization of Isolde would not last long. Upon the accidental ingestion of the love potion, Isolde is assaulted by the silent waylayer of hearts. Under siege by love, Isolde and Tristan both transform into a creature of love whose only objective is that of self preservation. Support for this is found each time that Gottfried turns to parallelism when describing the couple. This use of language signals the birth of a new animal, one that is bent on s urviving. Once the libation of love is imbibed, Tristan is Isolde, and Isolde is Tristan. Brangane, through no fault of her own, nearly falls prey to the ravenous beast that had become the couple. Gottfried has Brangane nearly suffer two deaths at the hands of the lovers. The first death the maiden suffers is that of her honor. Isolde manipulates her long time friend and servant by playing upon the guilt of her friend. Only under the influence of love would she have asked so much of her friend. This injury, however, is perhaps forgivable. Given the incident in the bath with her future lover, it seems implausible that Isolde could ever have dreamed of having Brangane killed; therefore she must not have been the same person as before. Indeed she was not. Thus love not only changes Isoldes relationship with Brangane, but it changes her relationship with herself. Gottfried is emphasizing that noble lovers have different priorities. First, if the King discovers she is no longer a virgin, then death will quickly follow. This recklessness does not mean that Isolde doesnt value her life. Her loss of innocence is proof of the power of loves coercion. Otherwise, she obviously would have avoided the disgrace. Going further, the only reason she doesnt commit suicide from shear melancholy is because she fears hurting her beloved Tristan. This idea is furthered again, by Gottfrieds use of parallelism. The symbiotic life the lovers are now leading has changed Isoldes perception of herself, because now her identity is linked indefinitely with that of Tristans. They are one in the same, as if they share a mutual physical body. Tristan is not immune to such a change either. Interestingly, the only time he really is able to overcome loves enslaving bonds is during the return trip to Tintagel. Here loyalty and honor win out over loves might. This inconsistency is an odd departure from Gottfrieds theme of loves overwhelming capacity. However, loves reign quickly returns, and prove s to be the tragic flaw of the otherwise perfect Tristan. A man who treats loyalty, honor, and chivalric codes as a religious-like ethics, has no trouble betraying not only his uncle and his friend, but his king. Gottfried is emphasizing the corruptive nature that love has over the individual. When in love, the infected wretch changes their entire perspective on life; their goals, their ethics; having all other personal desires subordinated to the intense passion to keep loves fire raging. Once drunk with love, the victim is likely to assume traits foreign to their character. No matter if its a sip from the chalice or a long draught from the jug, the connoisseur will risk life and limb to maintain the high. In Gottfrieds version of Tristan, loves potency renders much pain and heartache to those who choose to pick up the habit.